Canal+ to Discontinue MultiChoice's Showmax Streaming Service
Guillermo del ToroOscar-winning filmmaker and author whose work and commentary explore fantasy, horror, and cinema.
Canal+, having recently acquired MultiChoice, has made the strategic decision to cease operations of the Showmax streaming service. This move is part of an aggressive cost-cutting initiative following a comprehensive review of its streaming activities. Despite significant investments in content and technology through its partnership with NBCUniversal, Showmax failed to meet growth and subscriber targets, leading to substantial financial losses. Canal+ aims to reallocate resources and focus on optimizing its investment in the African entertainment market while ensuring job security for Showmax employees by reassigning them within the larger company structure.
Canal+ Announces Discontinuation of Showmax Streaming Service Amidst Restructuring
In a significant development for the African entertainment industry, Canal+, the new proprietor of MultiChoice, officially confirmed on March 4, 2026, the impending closure of the Showmax streaming platform. This decision, conveyed exclusively to Variety by sources close to the matter, marks the end of a valiant but ultimately unsuccessful effort by MultiChoice, in collaboration with NBCUniversal, to compete in the burgeoning African streaming market. Launched originally in August 2015 to counteract the growing influence of global giants like Netflix and Amazon Prime Video, Showmax underwent a major relaunch in February 2024, powered by NBCUniversal's Peacock streaming technology. Despite a combined equity injection of approximately $309 million from MultiChoice and NBCUniversal dedicated largely to content creation, the service continued to incur escalating trading losses, with revenues experiencing a notable decline, as revealed in MultiChoice's latest annual financial reports prior to the Canal+ takeover. Maxime Saada, CEO of Canal+, candidly described Showmax as "not a commercial success" during an investor call in January, signaling the platform's inevitable fate. The closure is a direct consequence of Canal+'s strategic objective to reduce costs by 400 million euros by 2030 across its newly combined group. Notably, Canal+ has pledged to retain all Showmax staff, reassigning them to various roles within the broader MultiChoice organization, honoring a key condition of its acquisition agreement. In a proactive measure, MultiChoice has already begun rebranding Showmax Originals under its established linear TV channels such as Africa Magic, M-Net, kykNET, and Mzansi Magic, ensuring continuity for locally produced content. This move follows a similar retreat from the African market by Amazon MGM Studios in January 2024, underscoring the formidable challenges faced by streaming services in the region. Canal+ has affirmed its commitment to investing in premium content, technological advancements, and strategic partnerships to cement its leadership in the African entertainment landscape, with further details on enhanced offerings and platform upgrades expected soon. The company is poised to release its first full-year combined financial results since gaining control of MultiChoice in September 2025 on March 11, which will shed more light on the financial implications of these strategic shifts.
The cessation of Showmax signifies a pivotal moment for content creators and audiences across Africa. From a filmmaker's perspective, as expressed by an award-winning South African director-producer, Showmax provided a crucial outlet for bold and authentic storytelling that often found little support elsewhere. Its demise removes a significant platform for local narratives, raising concerns about the future landscape for indigenous productions and the diversity of content available to African viewers. This event underscores the intense competitive pressures and financial realities confronting regional streaming services against well-resourced global players. It compels a reflection on the sustainability of localized content strategies and the potential for new collaborative models that can nurture and elevate African creative talent in an increasingly consolidated media environment.

